In Aks Misyuta's work, the mise-en-scène against the background of distances is a reference to the old tradition of painting. Being hastily painted, they are the reflection of the past in the steamy mirror of the day:the details have been less of an issue in the world, which has gained pace. On their halfway to abstraction, they have still been narrative. This is where the pop culture, with its cartoon motives, sits side by side with the foretime allegories, somewhat like the red cherubs. The metaphoric pictures of our blurred interactions and self-cognition.

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