Sigrid Sandstrom̈ explores the relationship between the artist, artwork and the viewer,specifically where the focus of her work should lie. In her paintings, she explores site as aconcept as well as experience. Sandström’s large-scale, barren and uninhabitedlandscapes have gradually shifted and become more abstract over time. Failing to conformto specific categories of painting, her work continuously investigates the ontologicalconditions and limitations of the medium of painting. This indeterminacy forms a central roleboth in its investigative production and its relationship to the viewer.

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